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https://dyhuir.dyhu.edu.tw/ir/handle/987654321/291
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| Title: | 由孟郊際遇、詩文探索其宇宙觀 |
| Authors: | 劉竹青 |
| Keywords: | 孟郊;背景;詩歌;Mun chiao;Background;Poetry |
| Date: | 2003/08
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| Issue Date: | 2011-09-02T06:47:43Z
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| Abstract: | 唐代是中國詩歌的黃金時代，其發展及造詣，實已臻於盡善盡美的境界。在「詩仙」「詩聖」及眾多詩人被推崇、恭維之際，被冷落一旁的失意詩人，卻也為數不少。
「郊寒島瘦，元輕白俗」。孟郊、賈島、元旗、白居易等被蘇東坡等人看輕之後，後人落井下石，譏諷批判者大有人在。
事實上，文人因時代背景與個人際遇的差別，自然反映出的作品風格各有千秋，所謂「在心為志，發言為詩」此則吟詠惰性，古今所同。
孟郊之所以「寒」必有其主、客觀的因素。因此，當人們能以較寬厚、慈悲的眼光看去，自然能心領神會他坎坷遭遇下的某些觀念了。
Tang Dynasty is the golden time of Chinese poetry. During the period, the Chinese poetry reached a ultimate perfection and had an important influence on the upcoming poetic style. While the 'God of Poem' and 'Saint of Poem' were highly praised and respected, there were many so-called 'secondary' poets standing like wall grasses.
Mun Chiao, Gia Tao, Yen Cheng, Pai Chee-I, four great poets in that period, inevitably were despised as minors. Just as Shon Tung-po commented their poetic genres as follows: "Mun is shabby; Gia is meager; Yen is verdant and Pai is gaudy."
As a matter of fact, a poet's genre is naturally created from his personal background and experience. That is to say, sincere heart makes one to write a poem. From time on, a poem is a mirror of one's emotion or thought.
However, there are subjective and objective reasons for Mun Chiao's shabbiness. If we appreciate his poems with a tender heart, we can deeply share his points of view toward life. |
| Relation: | 經國學報第二十期:009-019 |
| Appears in Collections: | [Journal of Deh Yu College of Nursing and Health] Journal of Ching Kuo Institute of Management and Health 20
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Files in This Item:
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Size | Format | |
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| v.20-009-019.pdf | | 1888Kb | Adobe PDF | 539 | View/Open |
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