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題名: 《水滸傳》中的男性復仇與女性剝削—暴力的社會象徵意涵
作者: 薛玲玲
關鍵詞: 《水滸傳》;殺妻行為;父權社會;家庭暴力;性別不平等;Water Margin;Wife-killing;Patriarchal Society;Domestic Violence;Gender Inequality
日期: 2024/12
上傳時間: 2025-03-11T07:40:02Z
摘要: 《水滸傳》作為中國古典文學的經典之作之一,以其豐富多彩的故事情節和令人深刻的人物形象而聞名。儘管故事主要講述男性英雄的奮鬥和冒險,但女性角色在整個小說中也扮演不可或缺的人物,尤其痛殺女人的場景更是小說中一個負面和極具爭議性的部分。這些故事場景中,男性角色因女人的背叛,為維護自身的權利,而採取暴力手段將其殺害,結局雖然大快人心但對女性罰過於罪的對待方式,凸顯男性權力的濫用。例如,潘金蓮勾結西門慶毒害武大;宋江因被閻婆惜要脅,擔心自己和梁山土匪有所勾結曝光,最終將其殺死;楊雄之妻潘巧雲因與僧人裴如海暗通款曲,為了掩蓋事實陷害楊雄好哥們石秀,東窗事發之後被楊雄殘忍開膛剖腹殺害;另一個則是盧俊義之妻賈氏,因盧俊義被騙上梁山,賈氏與管家李固私通,最後被盧俊義當著梁山兄弟手刃殺害。這些場景反映了當時父權制下的性別關係與婚姻制度,揭示了社會對女性的壓迫與剝削,當時社會對婚姻和家庭關係中,對於女性的地位和女性婚姻中所擔任的角色總是充滿父權社會的視角,男性角色通過濫用權力來維持其家庭與社會地位,從而暴露出婚姻中權力不平等和男性對女性的控制。
As one of the classics of Chinese literature, Water Margin is renowned for its vivid storyline and memorable characters. Although the story primarily revolves around the struggles and adventures of male heroes, female characters also play an indispensable role throughout the novel, especially in scenes depicting violence against women, which stand out as a particularly negative and controversial aspect. In these scenes, male characters resort to violent measures to kill women who have betrayed them, often as a means of asserting their rights. While these resolutions may seem satisfying in the narrative context, the excessive punishment of women reveals the abuse of male power. For instance, Pan Jinlian colludes with Ximen Qing to poison Wu Da; Song Jiang kills Yan Poxi to prevent her from exposing his ties with the outlaws of Liangshan; Yang Xiong’s wife, Pan Qiaoyun, secretly consorts with the monk Pei Ruhai and, after trying to frame Yang Xiong's brother-in-arms, Shi Xiu, is brutally killed by Yang Xiong through disembowelment; Lu Junyi’s wife, Jia, engages in an affair with her steward, Li Gu, and is eventually killed by Lu Junyi in front of his Liangshan brothers. These scenes reflect the gender relations and marriage system under the patriarchal society of the time, exposing the oppression and exploitation of women. The portrayal of women’s roles and status within marriage is consistently framed from a patriarchal perspective, where male characters abuse their power to maintain their social and familial standing. This dynamic reveals the inequality in marriage and the control men exert over women.
關聯: 經國學報第四十期:103-114
顯示於類別:[德育學報(39期~)] 德育學報第40期

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